Risk, Quiiiiick, TATTOO celebrate the choreographic style of Michel Kelemenis and the range of the score by the musician and “ethnologist of urban sound”, Christian Zanési. This is an example of the individuality of three pieces conceived more as danced exercises in style, three stages of what Kelemenis identifies under the proposed title, The Electroaudiocycle (L’électroacoucycle). The 1st act has many perspectives, the 2nd is a danced response to a sound mix, while the 3rd act is a rendition of body mutation.

Michel Kelemenis founded his company, Kelemenis & Co, in 1987. It has been based in Marseille since 1989 and more than fifty works have been created and performed since then.

Choreographie Michel Kelemenis Music Christian Zanési Stagedesign, lights Michel Kelemenis Lights assistant Jean-Bastien Nehr Costumes Philippe Combeau Coproduction Kelemenis & Cie, Ballet Preljocaj With the trust of GMEM Aléa In the repertoire of the companye kelemenis since 2009 For 7 dancers Production Adami, Danse à Aix 2005, Jeune Ballet du CNSMD (Lyon), Coline, Beijing Modern Dance Company, Ambassade de France à Pékin Viiiiite Creation 2009 Duo TATTOO Creation 2007 For 5 dancers of the Ballet National de Marseille Lights Manuel Bernard Production Ballet National de Marseille